911:False media - Revision history

Commendatori: /* Media cartels */

2018-08-12T12:01:39Z

Media cartels

← Older revision		Revision as of 12:01, 12 August 2018
Line 191:		Line 191:


	[[File:Mediaconsolidation.jpg\|500px\|thumb\|~~left\|Studios and media companies consolidation [http://sploid.gizmodo.com/fascinating-graphic-shows-who-owns-all-the-major-brands-1599537576] (click to enlarge)]]~~		[[File:Mediaconsolidation.jpg\|500px\|thumb\|center\|Studios and media companies consolidation [http://sploid.gizmodo.com/fascinating-graphic-shows-who-owns-all-the-major-brands-1599537576] (click to enlarge)]]

	~~[[File:Media consolidated.jpg\|500px\|thumb\|right~~\|Studios and media companies consolidation [http://sploid.gizmodo.com/fascinating-graphic-shows-who-owns-all-the-major-brands-1599537576] (click to enlarge)]]

Commendatori: /* Media cartels */

2018-08-12T12:01:02Z

Media cartels

← Older revision		Revision as of 12:01, 12 August 2018
Line 191:		Line 191:


	[[File:Mediaconsolidation.jpg\|500px\|thumb\|~~center~~\|Studios and media companies consolidation [http://sploid.gizmodo.com/fascinating-graphic-shows-who-owns-all-the-major-brands-1599537576] (click to enlarge)]]		[[File:Mediaconsolidation.jpg\|500px\|thumb\|left\|Studios and media companies consolidation [http://sploid.gizmodo.com/fascinating-graphic-shows-who-owns-all-the-major-brands-1599537576] (click to enlarge)]]

			[[File:Media consolidated.jpg\|500px\|thumb\|right\|Studios and media companies consolidation [http://sploid.gizmodo.com/fascinating-graphic-shows-who-owns-all-the-major-brands-1599537576] (click to enlarge)]]


	==[[w:General Electric\|General Electric]]==		==[[w:General Electric\|General Electric]]==

Commendatori: /* Internet */

2017-01-11T00:23:53Z

Internet

← Older revision		Revision as of 00:23, 11 January 2017
Line 182:		Line 182:
	=Internet=		=Internet=


			Todo:
			* Internet trolls - CIA + NSA
			* Fake/Fabricated news
	[http://www.telegraph.co.uk/news/worldnews/europe/eu/9845442/EU-to-set-up-euro-election-troll-patrol-to-tackle-Eurosceptic-surge.html]		[http://www.telegraph.co.uk/news/worldnews/europe/eu/9845442/EU-to-set-up-euro-election-troll-patrol-to-tackle-Eurosceptic-surge.html]

Commendatori: /* Associated Press */

2016-04-04T19:24:03Z

Associated Press

← Older revision		Revision as of 19:24, 4 April 2016
Line 267:		Line 267:

	* Associated Press, which provides news to more than 6,500 media outlets and has operated for more than 50 years, was part of a cartel, with the British Reuters news agency, that divided up news reporting and transmissions. After that cartel broke up in 1934, AP maintained a collaborative relationship with British intelligence. When it needed funds in the 1980s to expand and modernize, it received a large cash transfusion and credit line from its long-standing bankers, the Morgan interests. [http://american_almanac.tripod.com/travel.htm#direct]		* Associated Press, which provides news to more than 6,500 media outlets and has operated for more than 50 years, was part of a cartel, with the British Reuters news agency, that divided up news reporting and transmissions. After that cartel broke up in 1934, AP maintained a collaborative relationship with British intelligence. When it needed funds in the 1980s to expand and modernize, it received a large cash transfusion and credit line from its long-standing bankers, the Morgan interests. [http://american_almanac.tripod.com/travel.htm#direct]
			* New Research Shows Ties Between Associated Press and Nazis [http://www.activistpost.com/2016/03/ties-between-associated-press-and-nazis.html]

	The Associated Press is governed by an elected board of directors:		The Associated Press is governed by an elected board of directors:

Commendatori: /* Marketing */

2015-05-04T20:52:59Z

Marketing

← Older revision		Revision as of 20:52, 4 May 2015
Line 58:		Line 58:
	* Todo: product design, product marketing, consensus-style culture promotion, alternative/niche culture co-opting.		* Todo: product design, product marketing, consensus-style culture promotion, alternative/niche culture co-opting.
	* Instruments:		* Instruments:
	** Promotion by association: fun, sex, celebrities, cool-factor (sports/danger/masculine), health, safety, empathy (charity events), ...		** Promotion by association: fun, sex, celebrities, cool-factor ([[911:Media_mind_control#Dumbing_down\|sports]]/danger/masculine), health, safety, empathy (charity events), ...
	** Promotion by dis-association ("better alternative than the market competitors")		** Promotion by dis-association ("better alternative than the market competitors")
	** Social group research: profiling, product testing, ...		** Social group research: profiling, product testing, ...

Commendatori: /* Mass media */

2015-05-04T20:52:28Z

Mass media

← Older revision		Revision as of 20:52, 4 May 2015
Line 119:		Line 119:
	::''"'''Television aims at the synthesis of radio and film''' ... but its consequences are enormous and promise to intensify the impoverishment of aesthetic matter, so drastically that by tomorrow, the thinly veiled identity of all industrial culture products can come triumphantly out in the open, derisively fulfilling '''the Wagnerian dream of [[w:Gesamtkunstwerk\|Gesamtkunstwerk]]--the fusion of all arts in one work'''."''		::''"'''Television aims at the synthesis of radio and film''' ... but its consequences are enormous and promise to intensify the impoverishment of aesthetic matter, so drastically that by tomorrow, the thinly veiled identity of all industrial culture products can come triumphantly out in the open, derisively fulfilling '''the Wagnerian dream of [[w:Gesamtkunstwerk\|Gesamtkunstwerk]]--the fusion of all arts in one work'''."''

	As was obvious from even the earliest clinical studies of television (some of which were conducted in the late 1940s and early 1950s by Tavistock operatives), viewers, over a relatively short period of time, entered into a [[911:Consciousness\|trance-like state]] of semi-awareness, characterized by a fixed stare. The longer one watched, the more pronounced the stare. In such a condition of twilight-like semi-awareness, they were susceptible to messages both contained in the programs themselves, and through transference, in the advertising. They were being brainwashed. The earliest programming fell back on the tested models of radio, as described in the [[911:Trauma_mind_control#Frankfurt_School\|Radio Research Project]]: the situation comedy, or "[[w:sitcom\|sitcom]]," the [[w:Game show\|game shows]], the [[w:variety shows\|variety shows]], [[911:~~False_media~~#Dumbing_down\|sports]], and the "[[w:Soap opera\|soaps]]." Many were in serial form, with interlocking characters, if not stories. <u>All were banal, deliberately designed so</u>.		As was obvious from even the earliest clinical studies of television (some of which were conducted in the late 1940s and early 1950s by Tavistock operatives), viewers, over a relatively short period of time, entered into a [[911:Consciousness\|trance-like state]] of semi-awareness, characterized by a fixed stare. The longer one watched, the more pronounced the stare. In such a condition of twilight-like semi-awareness, they were susceptible to messages both contained in the programs themselves, and through transference, in the advertising. They were being brainwashed. The earliest programming fell back on the tested models of radio, as described in the [[911:Trauma_mind_control#Frankfurt_School\|Radio Research Project]]: the situation comedy, or "[[w:sitcom\|sitcom]]," the [[w:Game show\|game shows]], the [[w:variety shows\|variety shows]], [[911:Media_mind_control#Dumbing_down\|sports]], and the "[[w:Soap opera\|soaps]]." Many were in serial form, with interlocking characters, if not stories. <u>All were banal, deliberately designed so</u>.

	In the mid-1970s, [[w:Eric Trist\|Eric Trist]], who, until his death in 1993, headed Tavistock's operations in the United States, and Tavistock's main media "expert," [[w:Fred Emery\|Fred Emery]], reported on their findings of the impact of 20 years of television on American society. In Emery's 1975 work, ''Futures We Are In'', they reported that the content of programming was no longer as important as the sheer amount of television viewing. Average daily viewing time had risen steadily over the two decades since the introduction of the medium, such that by the mid-1970s, it ranked as a daily activity only behind sleep and work, at almost six hours a day (since then, it has risen still further, to more than seven hours, with the addition of video games, home videos, and so on); among school-age children, the time spent viewing television ranked just behind school attendance. These findings, Tavistock indicated, strongly suggested that television was like an addictive drug. Similarly, '''Emery reported on neurological studies which, he claimed, showed that repeated television viewing "shuts down the central nervous system of man."'''		In the mid-1970s, [[w:Eric Trist\|Eric Trist]], who, until his death in 1993, headed Tavistock's operations in the United States, and Tavistock's main media "expert," [[w:Fred Emery\|Fred Emery]], reported on their findings of the impact of 20 years of television on American society. In Emery's 1975 work, ''Futures We Are In'', they reported that the content of programming was no longer as important as the sheer amount of television viewing. Average daily viewing time had risen steadily over the two decades since the introduction of the medium, such that by the mid-1970s, it ranked as a daily activity only behind sleep and work, at almost six hours a day (since then, it has risen still further, to more than seven hours, with the addition of video games, home videos, and so on); among school-age children, the time spent viewing television ranked just behind school attendance. These findings, Tavistock indicated, strongly suggested that television was like an addictive drug. Similarly, '''Emery reported on neurological studies which, he claimed, showed that repeated television viewing "shuts down the central nervous system of man."'''

Commendatori: /* Internet */

2015-05-04T20:50:07Z

Internet

← Older revision		Revision as of 20:50, 4 May 2015
Line 179:		Line 179:
	** Bob Dylan		** Bob Dylan
	*** video: [http://www.youtube.com/watch?v=IqvvOD4bdRs Bob Dylan Admits He Sold His Soul to the Devil]		*** video: [http://www.youtube.com/watch?v=IqvvOD4bdRs Bob Dylan Admits He Sold His Soul to the Devil]

	~~=Internet=~~

	~~[http://www.telegraph.co.uk/news/worldnews/europe/eu/9845442/EU-to-set-up-euro-election-troll-patrol-to-tackle-Eurosceptic-surge.html]~~

	=Internet=		=Internet=

Commendatori: /* Music */

2015-02-04T02:11:31Z

Music

← Older revision		Revision as of 02:11, 4 February 2015
Line 166:		Line 166:
	* [http://www.onehitwondercentral.com/forum/thread.cfm?threadid=8317 Rappers Sold Their Soul To the Devil]		* [http://www.onehitwondercentral.com/forum/thread.cfm?threadid=8317 Rappers Sold Their Soul To the Devil]
	* [[w:Deal_with_the_Devil#Musicians\|Deal with the Devil]]		* [[w:Deal_with_the_Devil#Musicians\|Deal with the Devil]]
	* [[w:Crossroads_(culture)\|Crossroads]]
	** Kate Perry		** Kate Perry
	*** [https://www.youtube.com/watch?v=wHknzzJeK6Y&feature=youtu.be Katy Perry, the Super Bowl and Satan]		*** [https://www.youtube.com/watch?v=wHknzzJeK6Y&feature=youtu.be Katy Perry, the Super Bowl and Satan]
			* [[w:Crossroads_(culture)\|Crossroads]]
	** Led Zeppelin		** Led Zeppelin
	** Elvis Presley [http://www.illuminati-news.com/0/ElvisRosicrucian.htm]		** Elvis Presley [http://www.illuminati-news.com/0/ElvisRosicrucian.htm]

Commendatori: /* Music */

2015-02-04T02:10:35Z

Music

← Older revision		Revision as of 02:10, 4 February 2015
Line 167:		Line 167:
	* [[w:Deal_with_the_Devil#Musicians\|Deal with the Devil]]		* [[w:Deal_with_the_Devil#Musicians\|Deal with the Devil]]
	* [[w:Crossroads_(culture)\|Crossroads]]		* [[w:Crossroads_(culture)\|Crossroads]]
			** Kate Perry
			*** [https://www.youtube.com/watch?v=wHknzzJeK6Y&feature=youtu.be Katy Perry, the Super Bowl and Satan]
	** Led Zeppelin		** Led Zeppelin
	** Elvis Presley [http://www.illuminati-news.com/0/ElvisRosicrucian.htm]		** Elvis Presley [http://www.illuminati-news.com/0/ElvisRosicrucian.htm]

Commendatori: /* Media cartels */

2014-07-04T14:23:41Z

Media cartels

← Older revision		Revision as of 14:23, 4 July 2014
Line 192:		Line 192:

	==[[w:General Electric\|General Electric]]==		==[[w:General Electric\|General Electric]]==

			[[File:GEAssets.jpg\|300px\|thumb\|right\|GE partial assets infographic [http://sploid.gizmodo.com/fascinating-graphic-shows-who-owns-all-the-major-brands-1599537576] (click to enlarge)]]

	* [[w:List of assets owned by General Electric\|List of assets owned by General Electric]]		* [[w:List of assets owned by General Electric\|List of assets owned by General Electric]]

← Older revision		Revision as of 12:01, 12 August 2018
Line 191:		Line 191:


	[[File:Mediaconsolidation.jpg\|500px\|thumb\|~~center~~\|Studios and media companies consolidation [http://sploid.gizmodo.com/fascinating-graphic-shows-who-owns-all-the-major-brands-1599537576] (click to enlarge)]]		[[File:Mediaconsolidation.jpg\|500px\|thumb\|left\|Studios and media companies consolidation [http://sploid.gizmodo.com/fascinating-graphic-shows-who-owns-all-the-major-brands-1599537576] (click to enlarge)]]

			[[File:Media consolidated.jpg\|500px\|thumb\|right\|Studios and media companies consolidation [http://sploid.gizmodo.com/fascinating-graphic-shows-who-owns-all-the-major-brands-1599537576] (click to enlarge)]]


	==[[w:General Electric\|General Electric]]==		==[[w:General Electric\|General Electric]]==

← Older revision		Revision as of 20:52, 4 May 2015
Line 119:		Line 119:
	::''"'''Television aims at the synthesis of radio and film''' ... but its consequences are enormous and promise to intensify the impoverishment of aesthetic matter, so drastically that by tomorrow, the thinly veiled identity of all industrial culture products can come triumphantly out in the open, derisively fulfilling '''the Wagnerian dream of [[w:Gesamtkunstwerk\|Gesamtkunstwerk]]--the fusion of all arts in one work'''."''		::''"'''Television aims at the synthesis of radio and film''' ... but its consequences are enormous and promise to intensify the impoverishment of aesthetic matter, so drastically that by tomorrow, the thinly veiled identity of all industrial culture products can come triumphantly out in the open, derisively fulfilling '''the Wagnerian dream of [[w:Gesamtkunstwerk\|Gesamtkunstwerk]]--the fusion of all arts in one work'''."''

	As was obvious from even the earliest clinical studies of television (some of which were conducted in the late 1940s and early 1950s by Tavistock operatives), viewers, over a relatively short period of time, entered into a [[911:Consciousness\|trance-like state]] of semi-awareness, characterized by a fixed stare. The longer one watched, the more pronounced the stare. In such a condition of twilight-like semi-awareness, they were susceptible to messages both contained in the programs themselves, and through transference, in the advertising. They were being brainwashed. The earliest programming fell back on the tested models of radio, as described in the [[911:Trauma_mind_control#Frankfurt_School\|Radio Research Project]]: the situation comedy, or "[[w:sitcom\|sitcom]]," the [[w:Game show\|game shows]], the [[w:variety shows\|variety shows]], [[911:~~False_media~~#Dumbing_down\|sports]], and the "[[w:Soap opera\|soaps]]." Many were in serial form, with interlocking characters, if not stories. <u>All were banal, deliberately designed so</u>.		As was obvious from even the earliest clinical studies of television (some of which were conducted in the late 1940s and early 1950s by Tavistock operatives), viewers, over a relatively short period of time, entered into a [[911:Consciousness\|trance-like state]] of semi-awareness, characterized by a fixed stare. The longer one watched, the more pronounced the stare. In such a condition of twilight-like semi-awareness, they were susceptible to messages both contained in the programs themselves, and through transference, in the advertising. They were being brainwashed. The earliest programming fell back on the tested models of radio, as described in the [[911:Trauma_mind_control#Frankfurt_School\|Radio Research Project]]: the situation comedy, or "[[w:sitcom\|sitcom]]," the [[w:Game show\|game shows]], the [[w:variety shows\|variety shows]], [[911:Media_mind_control#Dumbing_down\|sports]], and the "[[w:Soap opera\|soaps]]." Many were in serial form, with interlocking characters, if not stories. <u>All were banal, deliberately designed so</u>.

	In the mid-1970s, [[w:Eric Trist\|Eric Trist]], who, until his death in 1993, headed Tavistock's operations in the United States, and Tavistock's main media "expert," [[w:Fred Emery\|Fred Emery]], reported on their findings of the impact of 20 years of television on American society. In Emery's 1975 work, ''Futures We Are In'', they reported that the content of programming was no longer as important as the sheer amount of television viewing. Average daily viewing time had risen steadily over the two decades since the introduction of the medium, such that by the mid-1970s, it ranked as a daily activity only behind sleep and work, at almost six hours a day (since then, it has risen still further, to more than seven hours, with the addition of video games, home videos, and so on); among school-age children, the time spent viewing television ranked just behind school attendance. These findings, Tavistock indicated, strongly suggested that television was like an addictive drug. Similarly, '''Emery reported on neurological studies which, he claimed, showed that repeated television viewing "shuts down the central nervous system of man."'''		In the mid-1970s, [[w:Eric Trist\|Eric Trist]], who, until his death in 1993, headed Tavistock's operations in the United States, and Tavistock's main media "expert," [[w:Fred Emery\|Fred Emery]], reported on their findings of the impact of 20 years of television on American society. In Emery's 1975 work, ''Futures We Are In'', they reported that the content of programming was no longer as important as the sheer amount of television viewing. Average daily viewing time had risen steadily over the two decades since the introduction of the medium, such that by the mid-1970s, it ranked as a daily activity only behind sleep and work, at almost six hours a day (since then, it has risen still further, to more than seven hours, with the addition of video games, home videos, and so on); among school-age children, the time spent viewing television ranked just behind school attendance. These findings, Tavistock indicated, strongly suggested that television was like an addictive drug. Similarly, '''Emery reported on neurological studies which, he claimed, showed that repeated television viewing "shuts down the central nervous system of man."'''

← Older revision		Revision as of 14:23, 4 July 2014
Line 192:		Line 192:

	==[[w:General Electric\|General Electric]]==		==[[w:General Electric\|General Electric]]==

			[[File:GEAssets.jpg\|300px\|thumb\|right\|GE partial assets infographic [http://sploid.gizmodo.com/fascinating-graphic-shows-who-owns-all-the-major-brands-1599537576] (click to enlarge)]]

	* [[w:List of assets owned by General Electric\|List of assets owned by General Electric]]		* [[w:List of assets owned by General Electric\|List of assets owned by General Electric]]